Translation missing: en.general.share.share
Astier de Villatte - Delhi Incense - Light Blue - ABASK -
Astier de Villatte - Delhi Incense - Light Blue - ABASK
Astier de Villatte - Delhi Incense - Light Blue - ABASK
Translation missing: en.general.share.share
Translation missing: en.general.share.share
Astier de Villatte

Delhi Incense

$60

Select Scent

Delhi Incense
Astier de Villatte - Delhi Incense - Light Blue - ABASK -

Delhi

Grand Chalet Incense
Astier de Villatte - Grand Chalet Incense - Light Blue - ABASK -

Grand Chalet

Namche Bazar Incense
Astier de Villatte - Namche Bazar Incense - Light Blue - ABASK -

Namche Bazar

Nara Incense
Astier de Villatte - Nara Incense - Light Blue - ABASK -

Nara

Opera Incense
Astier de Villatte - Opera Incense - Light Blue - ABASK -

Opera

Palais de Tokyo Incense
Astier de Villatte - Palais de Tokyo Incense - Light Blue - ABASK -

Palais de Tokyo

Stockholm Incense
Astier de Villatte - Stockholm Incense - Light Blue - ABASK -

Stockholm

Tucson Incense
Astier de Villatte - Tucson Incense - Light Blue - ABASK -

Tucson
Reinvigorate your home with the Delhi incense, developed by perfumer Françoise Caron. Each stick is made on the island of Awaji, Japan, and burns for approximately 30 minutes. The distinctive scent offers a spiced plunge into the overheated old town with betel, benzoin, musk and myrrh, smoked wood notes, vanilla wisps, herbal aromas and eucalyptus beedies.

Product number: 2212607016

View more: Astier de Villatte / Diffusers & incense

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Meet the maker:

Astier de Villatte

Old friends Ivan Pericoli and Benoît Astier de Villatte met at the prestigious École des Beaux-Arts in Paris, leading to the launch of Astier de Villatte in 1996. Since the beginning, they’ve been charmed with ideas of the imperfect, finding beauty in uneven glazes, dark pockmarks and subtle ripples. But these details only emphasise the craft tale behind each piece – stories that start with a single sheet of black terracotta clay extracted from Parisian quarries. They follow traditional Roman methods to bring each ‘dream object’ to life, shaping and inscribing each one with the potter’s initials and finishing with a high-shine white porcelain glaze.