Studio Shamshiri x ABASK Handwoven Cashmere Bold-Stripe Blanket
7,000+ products IN STOCK and DELIVERED in 3-6 days
7,000+ products IN STOCK and DELIVERED in 3-6 days
While bringing good intentions with you into the new year is a must, the little details make all the difference. From how to arrange flowers for a dinner party and where to seat your guests to curating an heirloom jewelry collection, the ABASK Collective has all the expert tips to take with you into a new year of hosting, entertaining and home design—as Charles Eames said, “The details are not the details. They make the design.”
“I think a minimalist tablescape is a breath of fresh air after a long time of people throwing every print, pattern and thing on the table; it’s like a visual rest. I think there is something endlessly refreshing and visually cleansing about green flowers on white china plates: it’s one of my favorite things. Sit them on the perfect white tablecloth with candlesticks and elegant long-stem glassware, then add a centerpiece like an Astier de Villatte vase… which is the sort of item that will become a future heirloom.”
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“There are some fundamentals to entertaining… a napkin is a non-negotiable item because it touches your face. The minute I touch someone's napkin it tells me if the host really understands how to entertain. The way it's been laundered, has it been pressed? Has it not? These are little things, but they're huge, huge details. Conversation starters are really very important, and when seating a dinner party with couples I adhere to the old saying, ‘If you sleep together, you do not sit together’. You should go home and speak of your evening, so I actually separate couples on tables.”
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“Design is all about bringing a sense of history to your home. Building a curated collection and layering objects is when you can feel emotion in a space and that’s when it gets really interesting.”
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“I always make a dessert buffet table: it’s joyful and filled with color which I love. To create visual interest, it’s important for everything to not look too symmetrical. So, I have cake stands and objects of different heights and materials… there has to be a flow, and I want my buffet to resonate with abundance.”
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“I like mixing plain plates with patterned ones which gives a natural and relaxed feel. I wouldn’t say I have any rules and there doesn’t have to be a perfect order, but I do think a lot about complementary colors and try to use my eye. I think it’s good to be brave with mixing genres and eras of objects, too—for example, old furniture and modern decorative objects work really well together. Just trying things out is the fun bit.”
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“It’s nice to have a series of different bud vases, with different shapes and styles in the same tone. If you have all the same style of bud vase, you can keep the flowers different, but when the vases are different, keep to one type of flower, otherwise it can start to look messy. The first thing is to think about how they are arranged on the table. If they’re going to be in the center of the table, make sure they’re not too high so you can see the person opposite.”
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“People get so nervous about collecting and putting pieces together in their homes, but ultimately you should treat this as an extension of your own personal story. Don’t fake it. I often say to my clients that working out your taste is a case of learning how to be true to yourself. Very often, the pieces you are drawn to will have a coherence because you’re acting on your instinct. Equally, remember that pieces that go off in different directions can bring visual interest.”
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“When it comes to jewelry, I don’t follow many rules—except comfort and intuition. There’s no hard-and-fast rule about how many signature pieces you can wear at once. The late Iris Apfel is proof of that. We don’t need to limit ourselves to certain metals or stones for specific seasons, and definitely not the outdated idea that your jewelry must match your watch. Instead, I always say yes to mixing metals!”
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“I love to arrange with non-floral botanicals: fruit, vegetable, roots and branches which add something interesting and unexpected. Beauty is everywhere if you only look for it. As a rule, I follow the idea that the stems should not exceed the width of the narrowest part of the vase, so if you had a bucket vase and it had a narrow base and a wide neck, I would still want the stems to be in line with the narrow base of the vase. When it all spreads out like a fan, I think you lose a design touch. In general, I prioritize texture over color. I think you can have a really discordant color combination but if it’s texturally interesting and has depth, it can work.”
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“I like to enjoy a martini in that liminal space between your professional day ending and your personal evening beginning. It should never be too late—you still have to wake up the next day. For glassware, I choose a Czech crystal glass that’s not too large, which is less about the ‘three-sip’ myth and more about maintaining the perfect temperature to the last drop.”
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“There’s a great quote from the Italian architect Alessandro Mendini where he explains that an object in a space is almost like a personal pet—it looks like something which is animated in the space. Placing a blanket on a chair, for example, it’s almost like a person or organic shape is there; it [creates] presence.”
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“When I’m hosting, fan-favorite candies are out on full display in beautiful Lobmeyr hand-blown crystal candy dishes. Nuts are also great to have out for guests. Peanuts, almonds and cashews all look great in a silver-plated Christofle nut bowl. A heavier snack to put out for guests to graze, either during dinner prep or for an afternoon nibble, is a charcuterie board—another great opportunity to showcase local food. In terms of drinks, coffee is always brewing, and I have plenty of sparkling water options, both flavored and unflavored, as well as chilled rosé and white wine, and of course, red wine, tequila and gin.”
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“People love platters—you don't even have to do a whole dinner. Sometimes the simplest things are the best: good produce, and seasonal. Cut up some tomatoes with salt and good olive oil, buy some lovely hams and charcuterie, and make a communal bowl of soup or stew, served in a beautiful dish.”
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“As well as Ma, other beautiful Japanese concepts include kanso—the idea of simplicity and elimination of excess; seijaku, a sense of tranquility or silence; and yūgen, a subtle mysterious beauty that evokes emotions. There are many ways these values can be embodied in homes, from minimalist forms and uncluttered spaces to organic material palettes, blurred boundaries and in-between colors mirroring the natural world.”
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"When it comes to flower arranging, I advise observing how plants look in a garden. When they are cut for commerce, they are all cut to the same height, all uniform looking, which isn’t how they grow in nature. You want to make them look more natural, so start by snipping a few of the stems at different heights. This immediately creates a more natural feel and forces the eye to move up and down through the different heights.”
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